Creative Business Programme
Tuesday evenings, 6pm - 8.30pm
Workshops: 17th August 2021 - 14th September 2021
Pitching: Thursday 23rd & Friday 24th September 2021
Based in Wellington CBD
Creative Business Programme Alumni
Maria Luisa Alvarez, Martin Cole, Max Gardiner, Jessica George, Sean Greenslade, Jack Harriss, Martin Jago, Nic Lane, Tony Matich, Nathaniel Pernecita
Supported by the Southeast Asia Centre of Asia-Pacific Excellence, the Creative Business Programme is a tailored short- form course delivering fundamental and transferable business skills.
Participants developed a unique story for screen idea through a 6-week vocational and applied learning programme within the ASEAN, US & NZ markets. Their training culminated in a pitching session to local and international screen industry professionals.
We wish to thank the Southeast Asia Centre of Asia-Pacific Excellence for supporting the Creative Business Programme
Programme Partner
Course Content
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Tuesday 17 August, 6pm - 8.30pm
The first workshop explored and examined creative concepts. Questions were posed: Where does an idea start from? What do you need to explore your idea further? What kinds of research do you need to carry out?
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Tuesday 24 August, 6pm - 8.30pm
Funding and finance are a significant part of realising ideas. Participants heard from an experienced funding advisor and fundraiser about their journey into building meaningful relationships and partnerships, which have funded and grown their projects.
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Tuesday 31 August, 6pm - 8.30pm
The workshop delved into ways to test ideas to ensure the creative idea is working to its full potential and that test audience enjoy it.
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Tuesday 7 September, 6pm - 8.30pm
This workshop investigated how to sustain a business, which will included tools like business mapping, exit strategies and more. In addition, the session examined the importance of networking and navigating what that looks like in a global pandemic climate.
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Tuesday 14 September, 6pm - 8.30pm
This workshop focused on the best ways to market & pitch ideas. In this session, heard first hand from a successful producer & screen content creator. In addition, the importance of spectacle and story was examined to show different ways of presenting ideas to a panel of industry experts and to identify the unique selling points.
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Participants had the opportunity to pitch their idea to industry professionals for feedback who work for brands such as Netflix, Disney, TVNZ, 108 Media and more. Their pitches were a short 6-minute pitch followed by questions and feedback from the Zoom panel.
Course Facilitator
Dr Leon Gurevitch
Associate Professor & Associate Dean of Research at Victoria University of Wellington - School of Design
Leon Gurevitch is an Associate Professor at Victoria University of Wellington’s School of Design where he researches global creative industries, transformative technologies and complex systems design. Leon has previously been a Marsden Fund recipient for “The Digital Workshops of the World” Research Project, a visiting scholar at multiple institutions across the United States including Yale University. He is a founding member of the UCLA Cultural Analytics group and has presented invited lectures about his research at Dreamworks, Blizzard Game Studios, WetaDigital, The Universities of California Los Angeles, Berkeley and Santa Barbra, Yale, BeidaBeijing, Shanghai University and many more. Leon has published research and exhibited design work in over 40 international locations and presented over 80 peer reviewed conference papers, keynotes and invited talks around the world in the last ten years. Leon teaches photography and computational culture and is based in the Media Lab at Victoria University.
Guest Speakers
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Jessica Manins
Co-Founder & CEO of Beyond Studio
Jessica Manins is CEO and Co-Founder of VR game studio Beyond.
Previous Regional Director of BizDojo and Chief Customer Officer at StarNow, Jessica is right at the vanguard of new delivery technology. Having studied Television Production then moving into film and theatre, Jessica has been commercialising creativity since she was 16.
Jessica led the establishment of The New Zealand VR/AR Association and is a 2017 finalist in the Wellingtonian of The Year science and technology category for her VR therapy work.
As a leading voice in the creative tech sector in NZ, Jessica is involved in a number of initiatives to support the value of the creative sector to the NZ economy.
Her personal mission is to make people smile.
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Dr Thu Phuong Truong
Associate Professor at Victoria University of Wellington - School of Accounting & Commercial Law
Phuong’s research interests include financial regulation, corporate governance, corporate disclosure, corporate strategy and firm valuation. She has published in numerous journal, including Accounting & Finance, Pacific-Basin Finance Journal, Company and Securities Law Journal, Australian Journal of Corporate Law, Accounting Research Journal, and Pacific Accounting Review. She serves on the editorial board of Accounting & Finance, and is an associate editor of Accounting & Finance and Accounting Research Journal. She is a member of the management committee of the Quantitative Accounting Research Network, which aims to support and strengthen the environment for quantitative accounting research in New Zealand.
She is currently a member of both CA Australia and New Zealand and CPA Australia. She have passed the CFA Level 1 and 2 Examinations.
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Jonathon Hendry
Chief Executive at BATS Theatre
Jonathon's employed a strong and diverse range of skills in a variety of contexts. These range from exploring Marae based theatre in the early nineties, award winning stage work, playing characters on screen, building company environments, mentoring emerging artists, reviewing on radio and shaping development in advisory or governance roles. He’s relished the opportunity to keep learning while championing new voices and perspectives.
As Chief Executive he’s driving a strategic refresh of BATS theatre in Wellington. Recently he worked at Fortune Theatre as Artistic Director after nearly a decade and a half of leading actor training at UNITEC and Toi Whakaari/ NZ Drama School.
He’s directed for Auckland Theatre Company, Silo Theatre, Downstage, Circa, Centrepoint, and BATS. As well as presenting premieres of work from Aotearoa, Jonathon’s received acclaim revisiting classic plays in surprising ways. Recently his touring production of "An Iliad” starring arts icons Michael Hurst and Shayne Carter created excitement in venues and festivals across the country.
He’s developed strategic skills having been invited into governance roles through periods of change for Toi Whakaari: NZ Drama School, Taki Rua /The Depot, Downstage Theatre, Shakespeare Globe Centre NZ and The National Youth Drama School. While living in Otago from 201 -2018 he was appointed to the Creative Dunedin Partnership, which ensures strong delivery of the Dunedin’s Arts and Culture strategy - Ara Toi.
Course Mentors
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Leon Gurevitch
Associate Professor & Associate Dean of Research at Victoria University of Wellington - School of Design, NZ
Leon Gurevitch is an Associate Professor at Victoria University of Wellington’s School of Design where he researches global creative industries, transformative technologies and complex systems design. Leon has previously been a Marsden Fund recipient for “The Digital Workshops of the World” Research Project, a visiting scholar at multiple institutions across the United States including Yale University. He is a founding member of the UCLA Cultural Analytics group and has presented invited lectures about his research at Dreamworks, Blizzard Game Studios, Weta Digital, The Universities of California Los Angeles, Berkeley and Santa Barbra, Yale, Beida Beijing, Shanghai University and many more. Leon has published research and exhibited design work in over 40 international locations and presented over 80 peer reviewed conference papers, keynotes and invited talks around the world in the last ten years. Leon teaches photography and computational culture and is based in the Media Lab at Victoria University.
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Mark Ordesky
Producer & Co-Founder, Court Five Productions, LA
Mark Ordesky is an American film and television producer and former Hollywood studio executive. He’s best known for executive producing the Oscar-winning THE LORD OF THE RINGS trilogy –during which Mark spent the better part of five years in New Zealand supporting his friend Peter Jackson’s historic vision. Mark has acquired or executive produced over 60 films, collectively grossing nearly $4 billion at the worldwide box office, earning 38 Academy Award nominations with 18 wins. Currently, Mark owns/operates Court Five with fellow New Line veteran Jane Fleming –fashioning independent film and TV content for Hollywood studios and broadcasters as well as global streamers such as Netflix, Disney+ and Amazon.
Mark is a member of the Producers Guild of America, the Television Academy, and the Academy of Motion Picture Arts and Sciences. Additionally, he is a board member of the American Cinematheque.
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Gino Acevedo
Textures Head of Department/Creative Art Director, Wētā Digital, NZ
In 1998, Makeup and Creature Effects Art Director Gino Acevedo was asked by Richard Taylor to join Wētā Workshop to supervise the special makeup effects and color designs of the creatures for Peter Jackson’s The Lord of the Rings trilogy. Prior to this, Gino had been working in the Los Angeles film industry for more than 10 years.
During the filming of The Two Towers, Gino was approached by Wētā Digital’s Visual Effects Supervisor, Joe Letteri, who was intrigued by the way Gino had made the skin colouration of a physical silicone puppet of the dead Boromir so believable. Joe then asked if Gino would be interested in texture painting on Gollum.
Although he saw himself as computer illiterate, Gino grasped the new digital challenges, becoming the Art Director for the digital creatures and the liaison between Wētā Workshop and Wētā Digital. Thus, allowing for a continuous design vision from initial illustrative designs through to the final digital effects shots shown onscreen.
Gino’s work at Wētā Digital includes HOD of the textures department and creative art director. On King Kong and The Water Horse: Legend of the Deep, Gino along with Richard Taylor supervised the sculpting of the maquettes for digital scanning, and making the physical silicone puppets used for environment and actor interaction. These were later replaced with the digital creature that is seen onscreen.
As Creature Art Director on Avatar, Gino oversaw 52 Wētā Digital texture artists. They used innovative techniques of life casting, to achieve details such as minute skin pores which were cast in silicone and scanned. They were then applied to the digital models breathing life and colour into the world of Pandora.
Gino has recently finished work on Pete’s Dragon . Before that he was focused on the critically acclaimed summer blockbuster Dawn of the Planet of the Apes, and the final film in Peter Jackson’s epic Hobbit trilogy, The Hobbit: The Battle of the Five Armies.
The Panel
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Jorge Garcia
Film Producer, Netflix, LA
Jorge Garcia Castro currently runs Altered.la’s feature film and TV department were he is currently in post-production for the horror franchise Zone Of Silence, among several other projects. Prior to joining Altered.la, Mr. Garcia was an executive for The Walt Disney Studios, were he managed Disney’s Mexican local productions label. At Disney, he developed and oversaw several local language production films and also produced the critically acclaimed Latin American film Sin Ella Directed by Jorge Colon and Starring Luis Roberto Guzman, Zuria Vega, and Lola Duenas.
Jorge also worked as a consultant in several tent-pole films including; Tron: Legacy, Pirates of the Caribbean 4, John Carter, OZ: The Great and Powerful, and Alice in Wonderland, among others.
For TV, Jorge produced the Teleton (USA) for Televisa and Univision in 2011, which got more than 80 million viewers. He has consulted for several networks including Fox, Disney Channel, and Univision, among other. Currently, Jorge also advises on US Hispanic audience for Studio films and TV series. Jorge has a Master’s Degree in Finance from Harvard University.
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Steve Barr
Commissioner, Drama and Scripted Comedy, TVNZ, Auckland
Steve Barr moved to New Zealand in 2010 after working for 16 years in the Hollywood industry. He has been a studio suit for Universal Studios, a feature screenwriter for Walt Disney Pictures, and the vice president of development for indie production company SMASHfilms. Steve has been hired to write a dozen or so screenplays in the New Zealand, American, and Chinese industries, two of which have been produced - Timeslow and Born To Dance. He has produced nearly 20 short films and two features - Chronesthesia and Hang Time.
Steve has a BFA in Theatre from the University of Southern California, and has taught screenwriting for the New Zealand Film and Television School, the New Zealand Writers Guild, Massey University, and Victoria University. He is a member of the WGA, WIFT, SPADA and served as president of the New Zealand Writers Guild. He is currently the commissioner for drama and scripted comedy for Television New Zealand.
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Brooks McLaren
Writer & Producer for Film, TV & Documentaries, LA
As a writer/producer for film, tv, and documentaries, Brooks brings a unique and diverse perspective to his work. In 2018 he was the Creator and Executive Producer of the Netflix summer hit HOW IT ENDS. His most recent scripts include the RAMBO: FIRST BLOOD reboot for Millennium Films, and the original FIGHT OR FLIGHT, voted to the 2020 Hollywood Blacklist, and set up with Thunder Road, the producers of Sicario and John Wick. Currently Brooks is working with director Espen Sandberg (Kon-Tiki) and Leonardo DiCaprio’s Appian Way on a radical ecological thriller about saving the Amazon Rainforest. The story is personal for Brooks as prior to his career as a storyteller, he worked in the alternative energy sector fighting climate change.
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Melissa Conway
Chief Strategic Officer, Lane Street Studios, Wellington
Melissa brings over 25 years experience in film/television production, education and extensive arts project management to her role as Chief Strategic Officer. She is an experienced project and people leader who is skilled in organisational infrastructure development, moving image production, programming and education, large scale project management, building partnerships and multi team management.
Mel’s previous roles have included Head of Programming & Partnerships within a leading children’s creativity centre. Mel has extensive experience in producing projects and productions from the design, development and delivery right through to the completion.
Mel’s focus is on future proofing the screen industry through creating innovative training experiences, alongside our infrastructure, to build pathways for success and resilience in the sector.
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Jason Hintz Llopis
Interactive Experiences Designer, Walt Disney Parks & Resorts, Imagineering & Studios, Orlando
Over the past 30 years as an experience designer, creative innovator and veteran producer, Jason’s career has always been at the heart of The Walt Disney Company. Through “Pocahontas”, “Tarzan”, “Bolt”, “Princess and the Frog”, “Tangled” and many other films, Jason produced and pushed the envelope of computer graphics at Walt Disney Animation Studios. He was then invited to Walt Disney Imagineering R&D where he developed theme park innovations for Disneyland in California & Shanghai Disneyland and implemented new technologies on a number of films including “Disney’s The Jungle Book,” Marvel’s “Avengers: End Game” and Lucasfilm’s “Star Wars: Rogue One.”
Today, Jason lives in Florida with his husband Noel and creates new digital attraction experiences for Disney’s Parks, Resorts, and Cruise Line. His family is hosting their 18th and 19th high school exchange students from Bosnia Herzegovina and Brazil. Past students have come from New Zealand, Argentina, Japan, and across Europe. Their daughter recently graduated with a degree in design at the University of California at San Diego.
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Kristy Grant
Chief Executive Officer, Lane Street Studios, Wellington
Kristy is a highly innovative and experienced business woman who has a wealth of knowledge in the establishment of organisations to build the future sustainability of the New Zealand creative sector through the development of infrastructure.
Kristy brings 20 years of business management experience and has a background in international marketing and trade development.
As part of Kristy’s role as CEO of Lane Street Studios, she works alongside the Chief Strategic Officer and Director of Operations who are collectively responsible for the overall design and delivery of a range of screen production facilities, development of the business that operates the studios, with an additional focus on industry training and education to support the wider national screen sector. Kristy and the team are working with production companies both in NZ and Internationally that will come and reside at Lane Street throughout their production.