Screen Accelerator Project
Workshop Dates: 11th June - 2nd July 2022
Saturdays: 10am - 2pm
Pitching Dates: Between 9th July - 10th July 2022
Participation in this project is free of charge.
This project is aimed at screen industry practitioners who have have ideas they want to develop for an unscripted/formatted or documentary series.
Project sessions will be held at Lane Street Studios.
Screen Accelerator Project Alumni
Julian Arahanga, Danny Caldwell, Michael Cox, Scotty Diamond, Jenna Eriksen, Jessica George, Tom Hutchison, Gwen Isaac, Lori Leigh, Te Kiira Osborne, Byron Taylor, Mark Westerby, Sam Wilton, Kathleen Winter
The key focus was supporting and coaching our screen sector participants to commercialize their IP, with the ultimate aim of bringing in productions to create jobs in the Wellington region. The genre of unscripted TV content is the fastest growing and highest grossing income return at present as it encapsulates real-life environments that attract large audience bases and can be created without elaborate or costly production processes. There is extremely high demand across the global streaming platforms for these types of shows, specifically documentaries, docu-series, docu-dramas, game shows and competitive series like cooking shows, dating shows as well as travelling shows and social experiments. Also, both here and internationally the screen industry is often ‘built’ from these types of well-funded formatted shows, where funding is good and crews can develop their skills on set. The critical business skills established throughout this process are highly transferable and are effectively production management skills – which can be utilised across a vast majority of business models and meet the increasing need for producers and line producers within the NZ screen sector.
The project was successfully facilitated by Emmy award winning and L.A Producer, Jon Kroll (Gordon Ramsey Unchartered, for National Geographic and Disney Plus, The Amazing Race, and ‘Big Brother’ etc), who did a wonderful job in terms of collaborating with us to plan and design the weekly sessions and delivering the content alongside our impressive range of guest speakers, with support from the Wellington Creative and Lane Street Studios teams.
Our group of 15 participants were screen sector practitioners each at varying stages in their careers – we had some were graduates, some emerging talent and everything right through to highly seasoned experts. Some were individual practitioners operating as freelance contractors and others came from established production houses in the Wellington region. They were a diverse and talented group that had a range of interesting and exciting unscripted series ideas.
The programme successfully taught our participants how to develop and pitch unscripted television shows targeted for U.S buyers, with an emphasis on content that can be produced in Wellington, using local talent and resources. This is a ground breaking project that offered a genuine opportunity to pitch content ideas to active buyers, rather than just solely practise pitching.
We wish to thank the U.S. Department of State for supporting this programme
We wish to thank Screen Wellington for supporting this programme
Programme Partner
Course Content
Unscripted: Screen Accelerator Project is a deep dive into the world of unscripted television, a genre that includes compelling factual programming, outrageous reality docusoaps and thrilling competition shows. Participants joined the course with a minimum of 2-3 ideas in this genre they’d like to develop over the course of 5 weeks before selecting one to present in a pitch to U.S. buyers.
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Saturday 11 June 2022
In week one, participants discussed and explored unscripted television as a genre. The discussed how unscripted television is an ideal way to break through into the industry and explore the role of the unscripted television producer, and how unscripted development differs from developing scripted shows. In the second the concept of Intellectual Property and the realities of copyright were explored. The workshop explored how to identify, acquire and develop assets that can help sell shows, protect work and secure roles on the resulting project.
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Saturday 18 June 2022
This session explored the art of pitching and the creation of pitch materials. The “sizzle reel” has become the most important sales tool in the selling of non-scripted shows. The group examined some sizzle reels – some made on the cheap and others that have more production value, as well as discussed the written treatment or “pitch deck”.
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Saturday 25 June 2022
Most unscripted shows are sold either on the basis of a format or talent. Formatted shows are more prevalent on U.S. broadcast networks, and talent-based shows are the bread-and-butter of cable and streaming programming. In this session participants learned how to create “format tentpoles” to maximise story potential, and how to develop talent-based docu-soaps.
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Saturday 2 July 2022
Documentary influences have migrated to television where innovative natural history, travel, true crime and biographical series are popular on both traditional and streaming networks. In this session, participants looked at what territory is still to be explored and met with a guest documentarian to discuss her ongoing balance between art and commerce.
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Saturday 9 July 2022
Participants practiced their pitches to a local and international panel for feedback before pitching to U.S. buyers the following day.
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Sunday 10 July 2022
Participants had the opportunity to pitch their idea to U.S. television buyers.
Course Facilitator
Lead Facilitator | Jon Kroll
Emmy-winning producer and educator Jon Kroll has overseen many of television’s top unscripted shows, most recently “Gordon Ramsay: Uncharted” for National Geographic and Disney+. In addition to producing such shows as “The Amazing Race” and “Big Brother”, he spent four years as the Executive Vice President of Original Programming for New Line Television. He has been an Adjunct Professor at the University of Southern California’s School of Cinematic Arts for fifteen years, and is a member of the Directors Guild of America, the Writers Guild of America and the Academy of Television Arts & Sciences.